Tuesday, October 27, 2009
Monday, October 19, 2009
Tube, Brass and Glass
Tube, Brass and Glass - oil/panel - 24"x18" - sold
The whole challenge with this piece was in the act of describing the different consistencies of an old paint tube, brass and glass on the same large panel.
I worked in a Chiaroscuro manner controlling the light in my painting to explode at my centre of interest - the paint tube.
In starting I worked on my canvas in near total darkness which helped me to concentrate specifically on the tonal qualities I wanted to achieve in the painting.
I remember vividly describing the glass bottle in the background by pulling and pushing the paint around with only my fingers.
Hope you like this piece.
-Richard
Detail Below
(Detail) Tube, Glass and Brass - o/p - 24"x18"
Sunday, October 18, 2009
Friday, October 16, 2009
Red Rose and Wild Flowers
Tuesday, October 13, 2009
Monday, October 12, 2009
Sunday, October 11, 2009
Pre - Dawn
Saturday, October 10, 2009
Friday, October 9, 2009
Within a Lover's Reach
sold
Within a Lover's Reach -oil/panel - 7"x5"
The observational analytic pieces I create are a real means to an end. I have found the disciplined process of working this way for the last year and a half to be extremely beneficial to me as regards 'seeing' and my application of paint in descriptive passages.
Capturing the essence of things for example - a recent painting of various wild flowers and roses is imbued with the sense of 'each individual flower'. There 'essence' is captured.
My vision was formed over the years largely by working alone, living on small islands off the coast of Cambodia. From the age of nineteen I have continued to work relentlessly on my motif.
As a child I drew hooded figures - when I travelled to Asia the hoods came down and a more transcendent figure emerged.
Even in my quite’ island paintings’ I feel the figure present - perhaps we are seeing through his eyes. Often there are sticks or stakes which break the linear horizontal plane and shoot upward vertically.To me these represent humanity, spirit and human endeavour.
As the days brightened up during my stay in residency at Cill Rialaig I began seeing the motifs closest to my heart emerging - an island just like the islands I had gazed upon day after day in south east Asia.
I couldn't believe I had found islands in Ireland that made me yearn in the same way.
- Richard
Within a Lover's Reach -oil/panel - 7"x5"
The observational analytic pieces I create are a real means to an end. I have found the disciplined process of working this way for the last year and a half to be extremely beneficial to me as regards 'seeing' and my application of paint in descriptive passages.
Capturing the essence of things for example - a recent painting of various wild flowers and roses is imbued with the sense of 'each individual flower'. There 'essence' is captured.
My vision was formed over the years largely by working alone, living on small islands off the coast of Cambodia. From the age of nineteen I have continued to work relentlessly on my motif.
As a child I drew hooded figures - when I travelled to Asia the hoods came down and a more transcendent figure emerged.
Even in my quite’ island paintings’ I feel the figure present - perhaps we are seeing through his eyes. Often there are sticks or stakes which break the linear horizontal plane and shoot upward vertically.To me these represent humanity, spirit and human endeavour.
As the days brightened up during my stay in residency at Cill Rialaig I began seeing the motifs closest to my heart emerging - an island just like the islands I had gazed upon day after day in south east Asia.
I couldn't believe I had found islands in Ireland that made me yearn in the same way.
- Richard
Wednesday, October 7, 2009
Shoes and Socks
Tuesday, October 6, 2009
Monday, October 5, 2009
Old Shed, Cill Rialaig
Old Shed, Cill Rialaig - oil/panel - 5"x 5"
Luminous falling shadows crept all around the old famine village of Cill Rialaig.
The days were bright and warm - I walked from place to place - a lu'minarist - with my palette in hand - creating studies - 'in the open air'.
Sunday, October 4, 2009
Through the Turf Shed
Through the Turf Shed - oil/panel - 5"x5" - sold
I stooped down to peer in through this old stone built pre-famine turf shed sitting above the Atlantic on cliffs near Bolas Head.
The contrasting light gleaming through from the reflective sea captured and excited me.
I felt in those moments while observing and painting I had found 'a very private beauty'.
Saturday, October 3, 2009
Friday, October 2, 2009
Sunrise
Thursday, October 1, 2009
Near Derrynane, Co. Kerry
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